Taliah gave up on her father long ago: he never responded to any of her letters, and he’s a rock star. But one day the famous Julian Oliver turns up on her doorstep to whisk her away, not only to get to know him but her whole family. With her mother ignorant and out of the country Taliah has only a three days to find out where she came from, and why she’s never known him before.
This book was great! Probably my favourite thing about it was that the whole story, a fairly short novel, took place over only three days. We journeyed with Taliah in (much closer to) realtime, with each encounter and moment, not missing a conversation or encounter. I don’t remember when I last read a book like that, and I really enjoyed it.
A manuscript, wrapped in string, appeared at the Hodder and Stoughton offices. Attached was a note: I used to be a Hodder author. I am now one of the few people left who were alive at the time of the Second World War, one of the only people who can capture the feeling of those times. I have written it into a book, and this is it. (My paraphrase).
So far, so exciting. But sadly, this is the story OF the book, not in the book. Author Frank White, in his own words now, says: “What I aimed to do was to capture the feeling of those times and remind people of what the country went through.” If that is so, my main takeaway from this book is that during these times everyone committed adultery.
When Ásta and most of the rest of her Icelandic village are kidnapped and shipped off to Algiers she was about to give birth, and her third child is born in the hold of the ship, surrounded by people she has known for many years. Her family is separated and sold to different owners, and her husband is sent back to plead a ransom. Ásta finds her new world a confusing mixture of abhorrent and compelling, and must try to tread a path between mourning her lot and making a new life.
I was so excited when this book arrived. The cover is beautiful, it’s set in Iceland, the title suggests selkies (a Scottish and probably beyond mythological creature: a seal that walks out of the water and turns into a woman) and goodness gracious me, it’s actually a book about a mother. And boy was it excellent, but it was also utterly heart wrenching.
When Cora’s husband dies, she is finally freed from a domineering and cruel marriage. She explores her interests: and when hunting for the mysterious Essex Serpent which has overcome a village’s imagination, she meets a man in a field and helps a farmer rescue a sheep. To both of their amusement she’s later introduced to him by mutual friends, and they start a friendship that enriches their lives beyond measure: until it goes further than they intended. Will’s wife is dying, Cora’s strange doctor paramour is pushing the limits of modern medicine, her servant is enlisting the help of a pining rich man and falling for a poor one, and the various people grow together and apart in interesting ways.
I avoided this book for quite a long time. I saw that it was about a vicar and read enough to suspect that it was going to be rather sordid, and as a Christian and a person who knows a lot of really great vicars I’m so tired of them being portrayed in a contrary way. After a real person recommendation I picked it up, and though there were a couple of moments, this was largely a thoughtful people study of a novel, and I very much enjoyed it.
Henry Aster’s father bought an old gothic house in a middle of a small American town where no one understood him, his writing or his obsession with books. Henry and his little sister grew up in the shadow of his father’s ambition, depression and genius, until one day his was gone. When he moves away to university Henry must deal with all of this, with his own writing ambition and becoming his own man.
For the first bit of the book I was just trying to work out where it was going, what it was about. It seemed to just chronologically be telling this guy’s story, with various flashbacks to his childhood. I couldn’t grasp if there was a central point: apart from his Dad. I eventually gave up trying to suss the book out and went with the flow, then at the end worked out what it was going on about all along. I’m not sure if this made me more or less satisfied.
Danu is a part of the circus. Her life has been beset by tragedy and mystery, and when they visit the City of Circles, a city split into levels that spins, the mystery only deepens: there is something here for her. Meanwhile Morrie at the circus has been teaching her to tightrope dance, and has been falling deeply in love with her. She must decide to pursue romance or the mystery of her family, and either way she feels she will lose out.
I was really excited about the concept of this book and the mystery at it’s heart: the City of Circles, and the main character’s story and origin. The circle was a nice place to start, the characters interesting – but the start dragged on for far too long. She stayed in the circus for too long: she stayed with Morrie for far far too long and the bit I’d been waiting for, the bit that really felt like the story getting started, didn’t happen until the very last section of the book.
The King and Abhorsen are away again and Sam gets news from his old friend Nick across the border. From the borders of the world free magic is attacking again, and Lirael, Sam and Nick must solve more mysteries, fight old enemies and revisit old friends to defeat it once and for all.
I find I already can’t remember the plot of this too well, which is very exciting as it means I’ll get to read it again really soon. I didn’t expect that it could be as magical and as enjoyable as reading the other book for the first time (and I was a bit disappointed by Clariel as was my friend Ian) but this was a complete delight.
You know, don’t you? Like the film? No? Alright then. The Don presides over a vast array of networks and family, and through the book navigates the balances of power, warfare and affection that moves around him. Rival gangs fight. People ask for favours. Protection is given. But The Don is old, and his eldest son is only interested in women, the middle isn’t up the the job, and the youngest spurned the Mafia life long ago. With enemies closing in and the centre of power seeming to fail, what will happen to the family business?
I never ever thought I’d read this. I haven’t even seen the film. But when a friend with almost flawless taste recommended it, I had to give it a go. And to my shock, and despite a whole load of things that usually put me off, I really enjoyed this book. It draws you in so cleverly to the world of the Mafia; to their alternate morals and loyalties, to their feuds and family.
Morrigan Crow has always known when the end would come. As a cursed child, she is destined to die on her eleventh birthday, but instead at midnight Morrigan finds herself apprenticed and semi-kidnapped by an extraordinary figure called Jupiter North and taken into a land that she never knew existed, and where she finds she has been entered into a contest to join the mysterious Wundrous Society, despite her apparent lack of a qualifying ‘knack.’ But on the journey through her trials she finds freedom, fun, loving family for the first time and hopes desperately that there is something she can do to let her stay…
This book was just so good. It put an almost constant smile on my face the whole way through. It begins with the maudlin and melancholy of Morrigan with her family, but moves into such a fantastic blend of warmth, crazy fantasy and humour that I was completely enchanted. It’s probably a book for 9-12 year olds but I’ve been recommending it to anyone who loves this sort of thing anyway – and I can’t wait for the next in the series.
A year after Amani joined the rebels in the desert, she’s become well known as the Blue-Eyed-Bandit and honed her skills in battle and in her magic power. But still, she is captured and imprisoned in the Sultan’s harem, where she is stripped of her powers, her support and her freedom. But plots are thickening in the city and the rebels are determined to reach her – and she is soon embroiled in more plots and works from within for the rebels cause.
It’s been a little while since I read this, so some points are a bit hazy for me: but I know I really enjoyed it. As I commented on the first instalment, to me it feels like an expanded study on sections of The Horse and His Boy, which makes it hugely attractive to me! Remember flashes of it and writing this makes me want to read it again – so that’s definitely a win!